WIlliam Eggleston
William Eggleston is a well-known fine art photographer,
famed for his complex and colourful photographs of southern towns in America. These
two series of his photographs, named ‘Chromes’ (1969-74) and ‘Election Eve’
(1976) are displayed in the ‘Energy and Processes’ exhibition in the Tate
Modern (curated by Simon Baker and Shoair Mavlian). They mainly focus on
everyday life in small southern county towns, particularly his home town of
Memphis, Tennessee (‘Chromes’) but also in Plains County and Sumter County,
Georgia (‘Election Eve’). ‘Although these images record a particular place at a
certain point in time, Eggleston is not interested in their documentary qualities.
Instead, asked what he is photographing Eggleston simply answers ‘Life today’.’
(Aitken, 2013, www.tate.org.uk).
The immediate reaction to this exhibition is the striking
and bold colours that draws the audience in, this is a printing process called
dye transfer which is what promotes the bright reds and greens. All of Eggleston’s
photographs vary slightly from image to image, he uses landscapes, close ups
and portraiture in his work this helps to keep the audience interested
throughout the entire exhibition. The photographs are laid out well around the
room in chronological order, the curators have used a simplistic and
minimalistic design which helps to remind the viewer of the period that the
photographs were taken in; a time of ‘high tension and anxiety on the national
stage’ (Aitken, 2013, www.tate.org.uk). Each
series dominates two of the walls of the room, this gives a reflective feel to
the room. The audience is able to enjoy and appreciate the quality of the
photographs in this exhibit without needing any previous knowledge of either
the subject or aspects of photography because of the sharp focus and striking
bright colours of the images. Both series include the ‘charismatic elements’ of
Eggleston’s style such as the positioning, lines, reflections or lighting. These
make the photographs much more striking and give each image a different point
of interest that draws the viewer in.
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| Figure 1, ‘Election Eve’ Eggleston |
Bibliography
Websites
Aitken, Doug. (2013) William Eggleston. [online] London.
Tate Modern. Avaliable at: http://www.tate.org.uk/whats-on/tate-moderndisplay/william-eggleston.htm
(Accessed 7/10/13)
Glover, Michael. (2013) Genisus in colour: Why William
Eggleston is the world’s greatest photographer. [online] London. The
Independent. Avaliable at: http://www.independent.co.uk/rta-entertainment/art/features/genius-in-colour-why-william-eggleston-is-the-worlds-greatist-photographer8577202.html
(Accessed 7/10/13)
Images
Figure 1, ‘Election Eve’. Eggleston, William (Tate, 2013,
Energy and Process)

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